An Unexpected Champion of François Couperin: Johannes Brahms and the ‘Pièces de Clavecin’

An Unexpected Champion of François Couperin: Johannes Brahms and the ‘Pièces de Clavecin’

Source :

• Music and Letters [ 0027-4224 ] ; 2004-11.

English descriptors

• Teeft :
  • Allgemeine musikalische zeitung, Alto part, Andreas moser, Anton justus thibaut, Auch, Augener, Augener edition, Bach, Bellermann, Bergedorf, Berthold litzmann, Brahms, Brahms kongress wien, Breitkopf hartel, Brise, Carissimi, Central section, Choral, Choral compositions, Choral conductor, Choral works, Chrysander, Clara, Clara schumann, Clavecin, Complete bach edition, Compositional style, Corelli, Corelli edition, Corelli volume, Couperin, Couperin edition, Couperin editions, Couperin proofs, Couperin volumes, December, Denkmaler, Denkmaler edition, Denkmaler series, Denkmaler volumes, Domenico scarlatti, Early music, Editorial duties, Editorial responsibility, Editorial work, Elaine kelly, Engraving, Espagne, Evangelische kirchengesang, Exact nature, False counterpoint, Farrencs, First instalment, First section, First volume, Fourth books, Francesco antonio urio, Francois couperin, French edition, French music, Friedrich, Friedrich chrysander, Further discussion, Gdmf, German music, German musicology, Grey pearl, Gustav fock, Hagen schulze, Hamburg, Hancock, Handel, Handel edition, Harmonic, Harmonic function, Harmonic language, Harpsichord music, Heinrich bellermann, Ibid, Ihnen, Ihrer, Ihrer anwendung, Incomplete edition, Individual works, Instalment, Intermezzo, Italian duets, James garratt, Joachim, Johann, Johann sebastian bach, Johannes, Johannes brahms, Joseph joachim, Julius stockhausen, Keyboard music, Keyboard works, Late piano works, Leipzig, Little favour, Ludwig stieglitz, Luthe, Matthew passion, Mature piano, Motecta festorum, Motivic content, Music letters, Musical language, Musical tastes, Musical value, Musikalisches wochenblatt, Nicht, Nineteenth century, Nominal editor, Nottebohm, Obvious choices, Ordre, Original edition, Original sources, Outer sections, Palestrina, Philipp spitta, Piano accompaniments, Piano pieces, Point chrysander, Rackwitz, Renaissance music, Rhythmic notation, Right hand, Schumann, Sebastian, Second instalment, Second volume, Seconde partie, Sich, Siegmund helms, Sole editor, Spitta, Style brise, Style luthe, Styra avins, Such textures, Tonic chord, Tonkunst, Tonkunst edition, Tonkunst series, Trans, Trio sonatas, Twelfth ordre, Uppermost notes, Verhaltnis friedrich chrysander, Violin sonatas, Virginia hancock, Werden, Werke, Werner rackwitz, Wilfrid mellers.

Abstract

• https://api.istex.fr/ark:/67375/HXZ-7F56P00K-T/fulltext.pdf

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